En ce qui me concerne, je pense que cela fonctionne à tous les niveaux : C'est le moment de l'histoire où Palpatine révèle sa vraie nature, au propre comme au figuré.À titre personnel, je pense que Palpy avait déjà cette seconde apparence sous le coude, car il ne semble nullement surpris de sa transformation physique suite à celle-ci.Il s'en est tout simplement servi pour manipuler Anakin et le Sénat en leur faisant croire que cette apparence hideuse était la conséquence de l'attaque des Jedi.
Mais, du coup, comment vous concevez le "déguisement" de Palpatine pour cacher sa vraie apparence ?Maquillage ? Genjutsu d'ampleur galactique ? Magie ?
Palpatine, who has delved extensively into Sith lore, was using an almost-forgotten technique to hide his true self. In game terms, this is an application of the Alchemy skill from the Dark Side Sourcebook (page 13):
Did George ever give you advice on how to approach playing the role?"George once said a really useful thing when I began playing Palpatine (in The Phantom Menace), and I don't know if he remembers this. He said, "In a sense, your eyes are contact lenses." In other words, the Palpatine character was the most artificial - it was as if they grafted his face and put in (his) eyes. Because the real Palpatine is the one who bursts forth at a calculated moment in Episode III just after persuading Anakin to kill Mace (Windu). That is when the true person comes out, letting the evil fully manifest itself. The Emperor that you see in the last film looks like he does because he's very old and very evil - it is what he always looked like. He just had this carapace of looking like a fairly ordinary guy, a politician that smiled a bit, and so on."Was there always the intention to show Sidious as he appears at the end of the film?"I dont think George had made up his mind when we started shooting whether to contintually show Lord Sidious as he really is after his initial tranformation or if Sidious would go back and forth with his appearance. I (believe) when George finally saw Dave's wonderful makeup he decided that constantly changing Palpatine's appearance would be a step backward. So the moment in the film where I make the tranformation is the way I appear until the end. It's an interesting sort of study in schizophrenia really - the nice guy that you saw was revealed later in the monstrous mask as the self, the Sith self.Sidious actually allowed Palpatine to come out, not the other way around, which works in reverse to what audiences are used to seeing."You think about Dr. Jekyll and Mr. Hyde - Jekyll was the good doctor who went out at night and tranformed into a terrible decadent, Hyde, who was buried down inside. In Episode III, it's more like Hyde in the guise of Jekyll throughout the film. And although the face is hideous, he doesn't care - Hideous Sidious, they go together."
Moi, la personne que j'aime m'avouerait avoir buté hommes, femmes et enfants suite à un coup de sang en guise de représailles, je prendrais mes jambes à mon cou et je couperais tout contact avec elle
Well, we weren't convinced that it had been cleared up, because there's still this highly troubling vision that Rey had in Episode VII, which is the shop with her parents leaving the planet. Also, the events of The Last Jedi are literally just after the events of Episode VII—within 48 hours, Rey has had a force-back to her parents and then the very next day is told "your parents were no one and they were junk traders. None of that matters." And we thought in a way that would be too easy because of the idea that Rey had been longing for her parents for so many years. We just felt like there was something more going on.
Dans le même ordre d’idée, l’Episode VIII suggère que ce lien entre les deux personnages permet un contact physique, notamment ce moment où Kylo reçoit de l’eau d’Ach-To et celui où lui et Rey sont sur le point de se toucher la main avant l’intervention de Luke. L’Episode IX prolonge là encore cette idée en le poussant à son paroxysme via cette forme de duel à distance entre les deux personnages et la transposition d’objets.
Je ne suis pas sûr que l'on retrouve cette impression de cohérence narrative dans la postlogie